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Karishma Upadhyay
No Caricatures: ‘Heeramandi’ & ‘Dil Dosti Dilemma’ Defy Muslim Character Clichés
'Bastar' to 'JNU' & 'Emergency': Lessons in Filmmaking For a New Bharat
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Then & Now: Bollywood & Its Changing Relationship With Those in Power
Ramanand Sagar's 'Ramayan' Returns: The Classic Trumps All Hyper-Hindu Versions
Adipurush: Are Tacky VFX & Poor Acting Really the Only Villains Behind the Hate?
Jaane Bhi Do Yaaro to Scoop: The Changing Face of a Journalist in Hindi Cinema
Johnny Depp At Cannes: Film Festivals And Their History Of Welcoming Abusers
As 'Samrat Prithviraj' Struggles, Will Akshay Kumar Reinvent Himself Again?
Deepika Padukone: The Real Queen in the Face of Adversity
The Kashmir Files is a Propaganda Seller; Schindler's List is Driven by Empathy
Is the Salman Brand of Films on the Decline With the Rise of Good OTT Content?
Shah Rukh Khan: Heavy is The Head That Wears King Khan's Crown
No Caricatures: ‘Heeramandi’ & ‘Dil Dosti Dilemma’ Defy Muslim Character Clichés
'Bastar' to 'JNU' & 'Emergency': Lessons in Filmmaking For a New Bharat
Then & Now: Bollywood & Its Changing Relationship With Those in Power
Ramanand Sagar's 'Ramayan' Returns: The Classic Trumps All Hyper-Hindu Versions
Adipurush: Are Tacky VFX & Poor Acting Really the Only Villains Behind the Hate?
Jaane Bhi Do Yaaro to Scoop: The Changing Face of a Journalist in Hindi Cinema
Johnny Depp At Cannes: Film Festivals And Their History Of Welcoming Abusers
The Kashmir Files is a Propaganda Seller; Schindler's List is Driven by Empathy
As 'Samrat Prithviraj' Struggles, Will Akshay Kumar Reinvent Himself Again?
Deepika Padukone: The Real Queen in the Face of Adversity
Is the Salman Brand of Films on the Decline With the Rise of Good OTT Content?
Shah Rukh Khan: Heavy is The Head That Wears King Khan's Crown
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