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Shefali Deshpande
Review: ‘LOL Hasse Toh Phasee’ Is An Insult to Comedy
‘The Disciple’ Review: A Portrait of the Artist as a Masterpiece
Review: ‘Well Done Baby’ Is a Hot Mess of Clichés
Review: Netflix’s ‘Pagglait’ Is a Moody, Heartwarming Winner
Review: ‘Kaagaz’ Has Lots of Heart, Little Bit of Soul
'Bhaag Beanie Bhaag': Netflix Series Suffers From Inauthenticity
Review: All Style and No Substance Makes ‘Taish’ a Dull Watch
Despite Solid Screenplay 'Serious Men' Fails to Close With a Punch
Despite John Cusack’s Charm, ‘Utopia’ Fails to Engage
From Writing to Acting, Hansal Mehta’s ‘Scam 1992’ Packs a Punch
Vikrant and Shweta’s ‘Cargo’ is a Milestone for Hindi Cinema
Review: ‘LOL Hasse Toh Phasee’ Is An Insult to Comedy
‘The Disciple’ Review: A Portrait of the Artist as a Masterpiece
Review: ‘Well Done Baby’ Is a Hot Mess of Clichés
Review: Netflix’s ‘Pagglait’ Is a Moody, Heartwarming Winner
Review: ‘Kaagaz’ Has Lots of Heart, Little Bit of Soul
'Bhaag Beanie Bhaag': Netflix Series Suffers From Inauthenticity
Review: All Style and No Substance Makes ‘Taish’ a Dull Watch
From Writing to Acting, Hansal Mehta’s ‘Scam 1992’ Packs a Punch
Despite Solid Screenplay 'Serious Men' Fails to Close With a Punch
Despite John Cusack’s Charm, ‘Utopia’ Fails to Engage
Vikrant and Shweta’s ‘Cargo’ is a Milestone for Hindi Cinema
