Karishma Upadhyay

'Bastar' to 'JNU' & 'Emergency': Lessons in Filmmaking For a New Bharat

Then & Now: Bollywood & Its Changing Relationship With Those in Power

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Ramanand Sagar's 'Ramayan' Returns: The Classic Trumps All Hyper-Hindu Versions

Adipurush: Are Tacky VFX & Poor Acting Really the Only Villains Behind the Hate?

Jaane Bhi Do Yaaro to Scoop: The Changing Face of a Journalist in Hindi Cinema

Johnny Depp At Cannes: Film Festivals And Their History Of Welcoming Abusers

The Kashmir Files is a Propaganda Seller; Schindler's List is Driven by Empathy

Deepika Padukone: The Real Queen in the Face of Adversity

Is the Salman Brand of Films on the Decline With the Rise of Good OTT Content?

As 'Samrat Prithviraj' Struggles, Will Akshay Kumar Reinvent Himself Again?

Shah Rukh Khan: Heavy is The Head That Wears King Khan's Crown

'Naya Daur' to 'Leader': Politics of Dilip Kumar's Films

'Bastar' to 'JNU' & 'Emergency': Lessons in Filmmaking For a New Bharat

Then & Now: Bollywood & Its Changing Relationship With Those in Power

Ramanand Sagar's 'Ramayan' Returns: The Classic Trumps All Hyper-Hindu Versions

Jaane Bhi Do Yaaro to Scoop: The Changing Face of a Journalist in Hindi Cinema

Johnny Depp At Cannes: Film Festivals And Their History Of Welcoming Abusers

The Kashmir Files is a Propaganda Seller; Schindler's List is Driven by Empathy

As 'Samrat Prithviraj' Struggles, Will Akshay Kumar Reinvent Himself Again?

Deepika Padukone: The Real Queen in the Face of Adversity

Shah Rukh Khan: Heavy is The Head That Wears King Khan's Crown

'Naya Daur' to 'Leader': Politics of Dilip Kumar's Films