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Millennial Review
50 Years of ‘Amar Prem’: Gen-Z Watches This Classic Sob-Fest
Millennials Review Classics: Of Genetics & Nepotism In ‘Aradhana’
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A Millennial Look at How 'Haqeeqat' Portrayed Indo-China Conflict
On Saira Banu’s Birthday, a Millennial Gaze Into ‘Padosan’
On Utpal Dutt’s Death Anniversary, a Millennial Reviews ‘Gol Maal’
Millennial Review: Pati Patni Aur Woh Is About a Pathological Liar
Millennial Review: Kamal Haasan’s ‘Hey Ram’ Is Relevant Even Today
Millennial Review: Sunny Deol’s Hyper-Nationalism in ‘Gadar’
50 Years of ‘Amar Prem’: Gen-Z Watches This Classic Sob-Fest
Millennials Review Classics: Of Genetics & Nepotism In ‘Aradhana’
A Millennial Look at How 'Haqeeqat' Portrayed Indo-China Conflict
Millennial Review: Pati Patni Aur Woh Is About a Pathological Liar
On Saira Banu’s Birthday, a Millennial Gaze Into ‘Padosan’
On Utpal Dutt’s Death Anniversary, a Millennial Reviews ‘Gol Maal’
Millennial Review: Kamal Haasan’s ‘Hey Ram’ Is Relevant Even Today
Millennial Review: Sunny Deol’s Hyper-Nationalism in ‘Gadar’
Millennial Review: Mangalsutra FTW in ‘Hum Dil De Chuke Sanam’
Millennials Review Classics: Shashi Kapoor’s ‘New Delhi Times’
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Millennials Review Classics: Dev Anand Is Scintillating in ‘Guide’
Millennial Review: Sridevi at Her Absolute Best in ‘Sadma’
Millennial Review: Mangalsutra FTW in ‘Hum Dil De Chuke Sanam’
Millennials Review Classics: Shashi Kapoor’s ‘New Delhi Times’
Millennials Review Classics: Dev Anand Is Scintillating in ‘Guide’
Millennial Review: Sridevi at Her Absolute Best in ‘Sadma’
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