Sangita Nambiar

Review: ‘Naradan’ Is a Relevant Film for Its Take on TV Journalism & Propaganda

Review: Fahadh Faasil’s ‘Joji’ Is a Brilliant and Intense Watch

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'Cold Case' Review: Prithviraj's Whodunit Is Full of Unconvincing Bits

'Kurup' Film Review: Dulquer Salmaan Shines In This Compelling Thriller

Review: Basil Joseph’s ‘Minnal Murali’ Is an Out and Out Entertainer

Mohanlal's 'Marakkar: Lion of the Arabian Sea' Is an Epic Disappointment

'Bhramam' Review: Prithviraj Sukumaran Shines In a Dull 'Andhadhun' Remake

Review: Netflix’s ‘Irul’ Is a Gripping Tale of Drama and Mistrust

Review: Parvathy’s ‘Varthamanam’ Is Amateurish and Forgettable

'Kuruthi' Review: Prithviraj Impresses In a Brave and Relevant Film

The Great Indian Kitchen and the Invisible Patriarchy In Our Homes

Review: ‘Naradan’ Is a Relevant Film for Its Take on TV Journalism & Propaganda

Review: Fahadh Faasil’s ‘Joji’ Is a Brilliant and Intense Watch

'Cold Case' Review: Prithviraj's Whodunit Is Full of Unconvincing Bits

Review: Basil Joseph’s ‘Minnal Murali’ Is an Out and Out Entertainer

Mohanlal's 'Marakkar: Lion of the Arabian Sea' Is an Epic Disappointment

'Bhramam' Review: Prithviraj Sukumaran Shines In a Dull 'Andhadhun' Remake

'Kuruthi' Review: Prithviraj Impresses In a Brave and Relevant Film

Review: Netflix’s ‘Irul’ Is a Gripping Tale of Drama and Mistrust

The Great Indian Kitchen and the Invisible Patriarchy In Our Homes