Paatal Lok could not have streamed at a better time. What better time for a narrative about how urban India makes everything about itself than today when our screens are plastered with the visuals of “migrant workers” in our cities? It also helps that the series also operates at a ‘meta’ level.
The reader must be warned at this point that this is not a review of the series, though a lot could be said about how impressive the cinematography by Avinash Arun and Saurabh Goswami is, how Jaideep Ahlawat’s elephant performance will be remembered in years to come, and what a delight it is to hear Padma Shri Prahlad Singh Tipaniya singing a Kabir bhajan as the final credits roll.
So why discuss Paatal Lok when “our migrants” are dying, getting brutalised, putting themselves (and others) at risk?
Because, Immanuel Kant—the giant of the Enlightenment—thinks examples make those concepts and codes visible to people that were hitherto languishing in darkness or made invisible.
Just like the migrants.

