Goodbye S H Raza, The Painter Whose ‘Bindu’ Shall Remain Eternal
S H Raza – the 94-year-old modern Indian artist and Padma Shri winner – breathed his last in France on late Friday. He was suffering from old-age-related ailments and had been in the ICU of a private hospital for the last two months. The following piece is a reproduction of The Quint’s exclusive interview with the internationally acclaimed painter in July 2015.
India’s ‘bindu’ artist, Syed Haider Raza, has finally got France’s highest civilian honour, the Legion d’Honneur. I say ‘finally’ because he made France his first home for almost six decades before he packed his bags and returned to India in 2010. Even the Indian government which is known to be slow with awarding artists, conferred the Padma Vibhushan on him, in 2013.
Now 93, he was sitting like a disciplined little boy in his studio, waiting for me to arrive for this interview. He paints every afternoon for a few hours, his daily ritual. As Ashok Vajpeyi, who has dedicated his life to Raza, says, “Like any normal person at this age, he has a few medical issues but the single minded dedication to his art is his driving force.”
That’s true of most artists from Raza’s generation. While MF Husain passed away at 96, painting till his last day, his other friends like Ram Kumar, Satish Gujral and Krishen Khanna are all 90 years old and exemplarily active!
What about technology, don’t you try out smartphones and the web world, I ask.“Not so much. I realise its importance but I live a simple life and painting problems are the same, irrespective of technology.”
‘A Simple Life’
Simple indeed. He is one of India’s top selling artists, his most expensive work being Saurashtra, inspired by the forests of Madhya Pradesh, where he spent his childhood. He painted this in 1983 and it was auctioned for close to $3.5 million in 2010 at Christie’s.
While his brand name in the market brings along its benefits, he has chosen to use his status to create a platform for future artists, in the form of the Raza Foundation. Most other successful master artists in India have failed to do this.
Because I was very poor, I understand the struggle. The foundation has talented artists who deserve encouragement. People like Ashok Vajpeyi (eminent art critic and poet), are very competent in taking care of this organization, I hope it grows. We promote artists, offer scholarships, put up exhibitions… In my early days, I could sell a painting for 40 rupees in the 1950s but still be glad.Raza
Raza’s Style and Inspiration
Raza’s style in art is original and instantly recognisable. His ‘bindus’ (dot) and other patterns pertaining to the cycle of life, landscapes and tantric elements are his unique signature style. Often misunderstood by people as mere geometric patterns!
He shares with me why the ‘bindu’ has been with him throughout his life. In his art, it the ‘bindu’ signifies the seed of life, the fulcrum of all creation. In his life, it was a Eureka moment.
In his mind, the conflict of having spent his life in France with his art dedicated to India is well resolved.
Witty, sharp and original is what he should always be remembered as. And flirtatious too. I missed a couplet being dedicated to me this time, but each time my question was inaudible to him, he replied, “You are beautiful”!
(Sahar Zaman is an independent arts journalist, newscaster and curator. She has founded Asia’s first web-channel on the arts, Hunar TV)
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