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A Comic Book on Life in India: Of Poverty, Prejudice, Desperation

Comic books in India do their bit to fight societal issues.

Updated
India
2 min read
The comic book shed light on the ugly reality of our society. (Photo Courtesy: <a href="http://www.stripteasethemag.com/drawing-the-line/">Stripteasethemag</a>)

Once upon a time in India, there was a girl who was promised a job and a better future but sold instead as a bride to a family thousands of miles away from where she lived.

With a dearth of young women in the village, she entered a world where abductions, forced marriages and enslavement were acceptable methods of propagating family trees.

And her story is fact, not fiction. It is part of a new anthology of graphic non-fiction that has brought together over two dozen Indian writers, artists and illustrators to tell such stories of life in India through comics.

The medium of comics is fantastic for this. It allows readers to engage with characters, locations and circumstances, as if they were doing it first hand.
Vidyun Sabhaney, Editor

Citing the example of Maus (Art Spiegelman), Palestine (Joe Sacco), Barefoot Gen (Keiji Nakazawa) and Persepolis (Marjane Satrapi), Sabhaney wrote in the preface, “These books have been startlingly radical for readers not just because of the medium that they use but the stories that they chose to tell.”

The project that began two years ago focuses on stories about migration and trafficking, poverty, caste and LGBT discrimination and the impact of environmental damage that often go unreported.

One powerful narrative in the book is about the young girl trafficked and sold as a bride.

In a trafficking situation, graphic illustrations are all the more useful to give the reader a sense of the remote places people are trafficked from – with a different language, culture and practices – to the final destination which is completely unfamiliar and traumatising.
Neha Dixit, Author of ‘Girl Not from Madras’
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Graphic novel cover. (Photo Courtesy: <a href="http://www.stripteasethemag.com/drawing-the-line/">Stripteasethemag</a>)
Graphic novel cover. (Photo Courtesy: Stripteasethemag)

In another story, artist Ita Mehrotra explores the life of a woman she has known for a decade. Chetan is an overworked and underpaid construction worker in India’s capital New Delhi.

I felt through talking with her that she held a history of the city’s past that was more real than others I have read – it was about how she and others actually built it from scratch.
Ita Mehrotra

Field research by environmental group Chintan is the basis for E-Waste Sutra, a story about “urban gold diggers” recycling electronic waste.

With data punctuating the narrative, the story is about young boys who use their bare hands to take apart machines and women who sit with magnets to pull out iron components.

A wise poet once said that the universe is made up of stories not atoms. That line has always stayed with me as one that beautifully captures the essential paradox of truth-telling in narration.
Editor Orijit Sen in the preface of the book

(At The Quint, we are answerable only to our audience. Play an active role in shaping our journalism by becoming a member. Because the truth is worth it.)

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