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A for apple, B for ball...Maybe not.
For communication designer and design researcher Saumya Pankaj, ‘A’ stands for ‘Ajrakh’ : an indigenous process of block printing prevalent among the Khatrivas community in Kutch; and ‘B’ stands for Bidri, a unique craft technique that hails from Karnataka’s Bidar.
Likewise, in Pankaj’s ‘The India Craft Project’, all the letters of the alphabet and the nine digits showcase a different art and craft form from India.
As part of her ambitious mission to connect rural artisans with their urban counterparts and open the doors to collaborate all across India, Pankaj is campaigning to gather volunteers who travel through the country and explore different forms of art and craft.
As more and more interesting pieces or art and craft are churned out through the interactions, Pankaj is hopeful that it would lend itself to eventually aquiring funds from the Crafts Council of India to facilitate what she calls a ‘Crafts Collaboration’.
“The idea is to build a creative space for them to learn from each other through exchanges; experiment and discover newness while being mentored by specialists in design and emerging market trends, to develop professionally and cater to a wider audience,” Pankaj shares.
As the handicraft industry remains fragmented with challenges in design, innovation and technology and market trend information - this relationship-based approach would empower the artisans to showcase their artwork on a more global platform eventually and set up a model that allows a more entrepreneurial control of their work.
If your wanderlust soul has exploring-Indian -art-and-craft on its wish-list, you can head here and help Pankaj in her endeavor to create an ecosystem of enterprising artists across India’s rural map.
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