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Millennial Review

50 Years of ‘Amar Prem’: Gen-Z Watches This Classic Sob-Fest

Millennials Review Classics: Of Genetics & Nepotism In ‘Aradhana’

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A Millennial Look at How 'Haqeeqat' Portrayed Indo-China Conflict

Millennial Review: Pati Patni Aur Woh Is About a Pathological Liar

On Saira Banu’s Birthday, a Millennial Gaze Into ‘Padosan’

On Utpal Dutt’s Death Anniversary, a Millennial Reviews ‘Gol Maal’

Millennial Review: Kamal Haasan’s ‘Hey Ram’ Is Relevant Even Today

Millennial Review: Mangalsutra FTW in ‘Hum Dil De Chuke Sanam’

Millennials Review Classics: Shashi Kapoor’s ‘New Delhi Times’

Millennial Review: Sunny Deol’s Hyper-Nationalism in ‘Gadar’

Millennials Review Classics: Dev Anand Is Scintillating in ‘Guide’

Millennial Review: Sridevi at Her Absolute Best in ‘Sadma’

50 Years of ‘Amar Prem’: Gen-Z Watches This Classic Sob-Fest

Millennials Review Classics: Of Genetics & Nepotism In ‘Aradhana’

A Millennial Look at How 'Haqeeqat' Portrayed Indo-China Conflict

On Saira Banu’s Birthday, a Millennial Gaze Into ‘Padosan’

On Utpal Dutt’s Death Anniversary, a Millennial Reviews ‘Gol Maal’

Millennial Review: Kamal Haasan’s ‘Hey Ram’ Is Relevant Even Today

Millennial Review: Sunny Deol’s Hyper-Nationalism in ‘Gadar’

Millennial Review: Mangalsutra FTW in ‘Hum Dil De Chuke Sanam’

Millennials Review Classics: Dev Anand Is Scintillating in ‘Guide’

Millennial Review: Sridevi at Her Absolute Best in ‘Sadma’