Video Editor: Ashutosh Bhardwaj
Producer: Zijah Sherwani
Being born at a time when guns and encounters are a common sight has a devastating impact on a child’s mind. Frequent images of broken bodies, blinded men and dead bodies is ought to mess up a childhood.
The Valley is full of people who use art as a tool to resist. Kashmir history is blotted with oppression and violation that dates back to 1589 AD when Kashmir lost its sovereignty to Mughals. Since then, the people of Kashmir have been subjected to all sorts of atrocities at the hands of different rulers.
Such is the effect of the conflict that most of the artists paint painful renditions of the war whenever they paint or writers invent verses reeking of pain and loss.
This 22-year-old Kashmiri artist finds it difficult to paint anything but conflict. He believes that being born in a conflict-torn zone has had an influence on his art.
A man with bare flesh sits against a wall of an ancient house while outside people flee the armed forces. This is one of the poignant artworks of Tabish that speaks of the situation in Kashmir.
Such art has become an essential means of venting one’s anger as there are strict measures taken to muffle the voices of resistance. Even if they try, they find it impossible to detach from the fabric of conflict.
Grandson of Urdu poet Syed Akbar Jaipuri, influenced by Faiz Ahmed Faiz, Zeeshan is passionate about taking his poetry to the streets, hoping for a social reform.
Zeeshan reflects the interest of Kashmiri youth through his Urdu nazms and poems.
Two years back, Zeeshan wrote a ghazal (ode) that he says is an evidence of how he tried to run away from the haunting memories of the conflict but has failed to do so.
“Na toh aankhon se, na uss dil se gila rehta hai
Mere seene ka har ek chaakh sila rehta hai,
Gair ki bazm mei jaakar gabrana mat
Mera darwaza meri jaan khula rehta hai”
Translation: I cannot rear complaints against her eyes, none against my poor heart. For every slit of my soul, my love, masterfully remains darned forever. I tell you, go sleep in the house of strangers and return silently if you wish for my door shall forever stay waiting for you.
Khursheed Mushtaq Ali was born on a curfew night in the year 1993. At the time, Kashmir was going through one of the worst political turmoils. His work speaks of the distressing times he witnessed back home and how the haunting shadows of the conflict creep into his artwork.
His family is associated with a traditional folk theatre in Kashmir, ‘Bhand Pather’, a form of satirical drama based on famous legends. Passed on through his family to him, Khurshid now uses theatrical performances to narrate the woeful tales of his homeland, Kashmir.
Another Kashmiri artist, Khytul Abyad, calls her work “visual documentation of the toll of conflict on human life”. She documents turmoil and its effect on the people around her.
Her drawing of three girls playing jump rope made up of a barbed wire clearly shows the disturbing reality of Kashmir, as seen by Khytul while growing up.
Zoya Mir, Counselling Psychologist, says exposure to traumatic events occurring around your vicinity can cause mental health issues. She further explains that to cope with trauma, people may resort to various mediums such as drawing, painting, sculpting through which they can project, analyse and observe their feelings.
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